A young actor commands the stage

From gentle to fierce, no challenge is beyond Anya Naylor's acting skill.

Anya Naylor in costume holding a sword

On her first day of acting class, Anya Naylor learned that acting is “living truthfully under imaginary circumstances.”

To play a character, she explains, an actor should try to get inside the character’s head because they don’t see themselves as audiences do. Take villains, for example.

“No matter what you’re doing [in the role], they think they’re doing the right thing,” she says. “There are a lot of human factors we don’t see—in their brain, they're doing it for a good reason.”

Naylor performed on Shakespeare’s Globe stage, November 2021.
Naylor performed on Shakespeare’s Globe stage, November 2021.
Anya Naylor in character at Fringe Fest in 2022
Naylor performed in MN Fringe Fest, August 2022.

Acting skills also include movement, diction, voice projection, and even how to do a phone call without being boring.

Bruce Roach, Acting Instructor, Theatre Arts & Dance

 

But the skill of “expressing with the voice” goes far beyond normal uses.

“We learn to unlock the natural sounds your body can make that you’re socialized out of making, like vocal crying, screaming, or growling while protecting voice and body,” Naylor explains.

Poster for Anya Naylor's "The Audience."
“The Audience”—a play written and directed by Anya Naylor

Success with audiences—and peers

One of only 17 freshmen accepted into the U of M Bachelor of Fine Arts (BFA) Actor Training Program Company of 2023, Naylor wrote, directed, and acted in “The Audience,” a one-hour play about a person from the real world who falls into the world of a play and needs help getting back home.

“It’s about breaking the conventions of audience and actor interaction in theater,” she says.

The real audience loved it. And the rest of the cast loved working with her.

Naylor performing as Irina
Naylor playing Irina in “Moscow Moscow Moscow Moscow Moscow Moscow” by Haley Feiffer, Spring 2022
Naylor, center, playing Eurydice in “Antigone” by Sophocles, adapted by Anne Carson, fall 2022
Naylor, center, playing Eurydice in “Antigone” by Sophocles, adapted by Anne Carson, fall 2022
Naylor playing the Trojan leader Aeneas in a production of “Troilus and Cressida"

In April (2023) Naylor crowned her BFA experience by playing the Trojan leader Aeneas in a production of “Troilus and Cressida”

Shakespeare’s play about the Trojan War, at the Guthrie Theater in Minneapolis.

Shakespeare’s play about the Trojan War, at the Guthrie Theater in Minneapolis.

In the play, Aeneas is a headstrong messenger and confident sword fighter—one of Naylor’s special skills.

Lucinda Holshue, Senior Lecturer, BFA Acting Program, University of Minnesota/Guthrie Theater

Acting in a liberal arts context

Naylor at her graduation, May 2023
Naylor at her graduation, May 2023

Looking back, Naylor loved getting a break from acting with non-theater classes like dance and public speaking.

“I can get nervous when talking without a script,” she says. Also, “That break gives you a perspective on things. I may, for example, do a monologue and blow it, but then I’ll go into interior environments class for design majors, and I’m learning things where I don’t have to be self-aware and aware of my body all the time.

“And I just like learning, so it’s good to be in a college.”

If Naylor has a secret to success, it’s probably this: “I acted for many years when I wasn’t very good and persevered.”

Steve Cardamone, Senior Lecturer, Theatre Arts & Dance